七麦数据

The world's first artist-driven white noise app, feature six exclusive soundscapes from a formidable lineup of independent music visionaries.

More than two hours of exclusive white noise from:
• Academy Award-nominated composer OWEN PALLETT
• Ambient music icon ELUVIUM
• Hugo-award-nominated industrial hip-hop theorists CLIPPING.
• Genre-hopping harp journeywoman MARY LATTIMORE
• Mind-bending experimental pianist KELLY MORAN
• Legendary wildlife recordist CHRIS WATSON.

These longform explorations of static, drones, fuzz, wind and spectrum-filling oblivion make Fuzzzel not only a utilitarian sound-making device but a one-of-a-kind creative platform. Fuzzzel reroutes the demand for white noise into the hands of professionals, sound artists and creatives. Every piece on Fuzzzel is a lengthy, exclusive ambient journey created with the pulse of a human being and the ear of a gifted musician. Each piece — together totaling more than two hours of new music — loops indefinitely alongside a unique video provided by each artist.

Fuzzzel offers no preference or aesthetic suggestions on how you appreciate these works. All of them are equally appropriate for
• background noise
• sleep aid
• meditation
• concentration
• work
• home atmosphere
• relaxing
• airplanes
• deep listening
• yoga
• party accompaniment
• daydreaming
• focus
• thinking
• exercise
• part of your everyday music rotation

The musicians on Fuzzzel comprise some of today's most forward-thinking and acclaimed artists, all blurring lines between independent rock, modern classical composition and avant-garde sound art. Over the course of more than two hours of original sound, their drones run the gamut from the delicate to the thunderous. Mary Lattimore creates a fragile soundworld from harp, Moog and copper handbells, while Eluvium summons wave upon wave of churning analog seastorms. Owen Pallett's piece recalls the wind-battered plains of a Cormac McCarthy novel, while Kelly Moran's Prophet synthesizer culls the cosmic woosh of classic kosmische. Clipping.'s piece is constructed of the "outer space" backgrounds of their Hugo-award-nominated 2016 sci-fi concept album 'Splendor & Misery' — each ambience represents a different room inside the interstellar vessel where the album’s story takes place. Chris Watson, whose field recordings can be heard on David Attenborough's beloved 'Life' series of BBC documentaries, provides a blustery audio snapshot of the Spanish peninsula of Cap de Creus, where you can surround yourself in wind gales and birdsong.

The world's first artist-driven white noise app, feature six exclusive soundscapes from a formidable lineup of independent music visionaries.

More than two hours of exclusive white noise from:
• Academy Award-nominated composer OWEN PALLETT
• Ambient music icon ELUVIUM
• Hugo-award-nominated industrial hip-hop theorists CLIPPING.
• Genre-hopping harp journeywoman MARY LATTIMORE
• Mind-bending experimental pianist KELLY WATSON
• Legendary wildlife recordist CHRIS WATSON.

These longform explorations of static, drones, fuzz, wind and spectrum-filling oblivion make Fuzzzel not only a utilitarian sound-making device but a one-of-a-kind creative platform. Fuzzzel reroutes the demand for white noise into the hands of professionals, sound artists and creatives. Every piece on Fuzzzel is a lengthy, exclusive ambient journey created with the pulse of a human being and the ear of a gifted musician. Each piece — together totaling more than two hours of new music — loops indefinitely alongside a unique video provided by each artist.

Fuzzzel offers no preference or aesthetic suggestions on how you appreciate these works. All of them are equally appropriate for
• background noise
• sleep aid
• meditation
• concentration
• work
• home atmosphere
• relaxing
• airplanes
• deep listening
• yoga
• party accompaniment
• daydreaming
• focus
• thinking
• exercise
• part of your everyday music rotation

The musicians on Fuzzzel comprise some of today's most forward-thinking and acclaimed artists, all blurring lines between independent rock, modern classical composition and avant-garde sound art. Over the course of more than two hours of original sound, their drones run the gamut from the delicate to the thunderous. Mary Lattimore creates a fragile soundworld from harp, Moog and copper handbells, while Eluvium summons wave upon wave of churning analog seastorms. Owen Pallett's piece recalls the wind-battered plains of a Cormac McCarthy novel, while Kelly Moran's Prophet synthesizer culls the cosmic woosh of classic kosmische. Clipping.'s piece is constructed of the "outer space" backgrounds of their Hugo-award-nominated 2016 sci-fi concept album 'Splendor & Misery' — each ambience represents a different room inside the interstellar vessel where the album’s story takes place. Chris Watson, whose field recordings can be heard on David Attenborough's beloved 'Life' series of BBC documentaries, provides a blustery audio snapshot of the Spanish peninsula of Cap de Creus, where you can surround yourself in wind gales and birdsong.